This is another entry in a continuing dictionary of women who worked in musical theatre in the 1930s in the UK. It is an evolving document – for more please get in touch via Twitter.
Irene Kensington (fl. 1925 – 1934)
Kensington was a choreographer and costume designer; she was also a pianist and arranger. Frustratingly little can be found of her life – she appears and vanishes.
Kenginston had a long association with June Radbourne’s dance ensemble the June Dancers, who performed across variety and concert venues, as both choreographer and costume designer. Initial reports of their performances note that she ‘is also responsible for modernistic arrangements of Chopin and Liszt, as well as impressions of true moderns like Glinka, Ravel and Grainger. Strauss, Coleridge-Taylor and Schubert also figure in the versatile repertoire of these eight talented dancers.’ (Portsmouth Evening News, 16/08/32, 2)
The ensemble performed at a range of venues including variety theatres like the London Coliseum in 1928, and the Hackney Empire 1929; and concert party settings like the Floral Hall in Eastbourne, August 1929 and Portsmouth in 1931. They also played in cabaret settings, including Frascati’s Frascaberat in London 1931. Kensington also designed the costumes for the dancers, Very little survives of the company apart from a few postcard images of Radbourne herself and one or two of the dancers.
Newspaper reports reveal Kensington attended the Margaret Morris school of ‘Dancing and Other Arts’ in 1920. In 1927, she designed and choreographed for a troupe from the the Margaret Morris Theatre, presumably from the school; the troupe were the basis for the Radbourne company.
Elsewhere, Kensington designed the costume for the Seymour Hicks play What’s His Name; as well as choreographing and costume designing the 1932 musical She Shall Have Music. The last reference to her is choreographing Babes in the Wood in Exeter in 1934, but at present, no further information can be found.