Sarah is a musical theatre researcher, practitioner and academic. She writes about musical theatre history with a particular focus in uncovering the work that women do in the arts and addressing gaps in the history of the musical.
As a dramaturg she has collaborated and advised on a range of projects from site-specific immersive theatre to West End musicals. As a lyricist and librettist, she writes extremely silly songs with James Lovelock.
You can read some of her work here:
(2018) Boublil and Schonberg’s Les Miserables 4THW, Routledge
(2017) – ‘For the First Time in Forever – Locating Frozen as a feminist Disney musical’ for The Disney Musical on Stage and Screen ed. by George Rodosthenous (Bloomsbury Methuen)
(2017) – ‘Jersey Boys (2014): The Contemporary Jukebox Musical and its audience’ for Twenty-First Century Musicals: From Stage to Screen ed. by George Rodosthenous (Routledge)
(2016) ‘‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices’ Studies in Musical Theatre 10 (2), 163-176
