Birmingham Music Making: the beginnings of the City of Birmingham Symphony Orchestra

Appleby Matthews in a black and white photo, he is looking over his shoulder. He is wearing small classes and a suit jacket.

Thomas Appleby Matthews (1884-1949) is a surprisingly unknown figure given his importance to music making in Birmingham. He was the first conductor of what became the City of Birmingham Symphony Orchestra – then the City of Birmingham Orchestra.

He does have a Wikipedia article to his name, but no article in Grove Music (Oxford Music Online) – though he gets a mention in their article on Birmingham’s music history. I’ve been drawn into his story because of the commitment he had to put classical music where people already were – in local cinemas and theatres.

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Following threads of women composers: Harriet Maitland Young

As should by this point be becoming clearer, I like a wild goose chase. In this case, a very short Wikipedia article on Harriet Maitland Young (1838-1923) got my attention, a composer about whom very little is known other than her mention in the Women’s Work in Music (1903). The Wikipedia article lists four operettas by Young, and notes she is buried in Camden. So if we dig a bit more… what do we find? I think you’ll know by now I can’t resist a mystery adventure.

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‘The Boxer’ Simon & Garfunkel (1969)

I am sat in Preston Guild Hall, enraptured by the lyrical brilliance of the guitar duo my Dad has taken me to see. I can’t be more than 12, I could be at Madison Square Gardens or the Hollywood Bowl (except I don’t yet know they exist because I live in Lancashire). I am here to see the incredible lyrics of two men singing in close harmony with the unique sound of gentle guitar accompaniment, listening to songs that are surely going to change popular music. 

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